27 February 2007
No Hands
Berkeley, CA
Last night during the meditation session at PZI John presented a koan about work. The koan goes more or less like this:
(Two teachers are speaking, as I recall)
Work, work, work. All day long all you do is work.
Why do you do it?
I do it for another.
Why doesn’t he do it for himself?
Because he has no hands.
Of course John mixed the genders nicely. I believe, though, that when I first heard this koan, the "another" in my mind was female, or at least feminine in some archetypal way. I wonder what meaning to make of that. Is it about the feminine in me “having no hands”, unable to do for herself? Too easy, too tidy an explanation, I suspect.
Anyway, all the usual associations about hands began to emerge during the meditation. All the grasping and handling. I even thought of the “all hands” meetings in Silicon Valley. At some point in the meditation Roger’s hands came into my awareness. I seemed to reconnect for a moment with the feeling of his hands cupped behind my head, supporting my head and neck during The Ordeal. That feeling of completion, as if those cupped hands could have held water poured into them without any dripping through his fingers, as if his hands had been fused into a bowl.
The healing that comes from without when I have no hands within.
Another odd coincidence occurred that day. Earlier, I was speaking with a friend about the nature of work. We spoke of how the less effort we put into it sometimes, the more we can get done. How I/we hold stories about “hard” work, and so forth. At one point in the conversation she talked about work as play. In this moment – the day after – I find myself noticing that the koan doesn’t speak of “hard work”, just continual work.
Now I notice that I am substituting the word play for work in the koan:
Play, play, play. All day long all you do is play. Why do you do it?
I do it for another.
Why doesn’t she play herself?
Because she has no hands.
The child in service to the adult. Losing my capacity to play is another way to cut off my hands. There is something delightful about holding play as a kind of service. In fact I believe John said something like that in his talk when he spoke of a certain delight we can take from being in service to another.
John also spent a fair amount of time talking about meditation itself, and the nature of consciousness that can emerge from meditation. As he has done before, John spoke of kindness embedded deeply in consciousness. I took from that how, when we strip away all the extraneous baggage that seems to hang on our awareness – like too many coats piled on a coat rack, that when they all fall away, what is left is kindness.
I may have experienced a small glimmer of that during the meditation. For a brief moment, when I was in touch with my handlessness, my helplessness, I felt shame cover me like a dark, cold shroud. And then miraculously (or so it seemed) a thought bubble appeared. It said, The shame is a sham. I almost laughed out loud. A lightness seemed to be sitting quietly inside that shroud. Then an image appeared – an image of dark, jagged shards of rock falling from two sides of a great precipice. As if a gold motherlode lay beneath it. And then for just a moment I felt settled and safe.
On the ride back from the zendo Roger and I spoke for a while about work and art, continuing in a way the conversation we had on the way up to Santa Rosa. Now, though, there was a shift for me. There was something that Roger said that came as a gift. At some point he used the phrase “God-given talent”. When he used that phrase, for some reason I thought of the word “grace”. In a religious sense, Grace is the unearnable gift of God’s love. We spoke of “gracefulness” for a while, and there was a feeling of grace, of some unearnable kindness, present in the car as we drove over the coastal mountains into the inland valley.
Now, I have a new koan to turn this way and that in my mind:
Love, love, love. All day long all you do is …
Why do you do it?
I do it for another…